Pablo FitzGerald started his studies of classical guitar at the age of five, firstly at the Escuela de Música Creativa, and from the age of seven at the Conservatorio Profesional de Arturo Soria (Madrid).
He soon develops and interest and sensibility towards Renaissance and Baroque repertoire, and after obtaining the ‘Grado Medio’ diploma of classical guitar, he starts his studies of early plucked instruments and the same conservatoire, with Jesús Sánchez. Since then, he has attended many early music courses, receiving masterclasses from the likes of Paul O’Dette, Ariel Abramovich, Juan Carlos de Mulder, Eduardo Egüez, Pablo Márquez or Hopkinson Smith. In September 2017 e moved to Basel, Switzerland, to study with Hopkinson Smith at the Schola Cantorum Basiliensis, graduating in 2020 with the highest honours. He then continued his Master studies with Eduardo Egüez at the Zürcher Hochschule der Künste.
He regularly plays in renowned orchestras and ensembles in Switzerland (Ensemble Los Elementos, Ensemble Sonorità, La Cetra Barockorchestra) the UK (The English Concert, Orchestra of the Age of Enlightenment, Ensemble Marsyas) Ireland (Irish Baroque Orchestra) Spain (Vespres d’Arnadi, La Guirlande, Cantoría) Germany (AKAMUS, Balthasar-Neumann Ensemble, Freiburger Barockorchester) France (Ensemble I Gemelli) or Italy (Il Pomo d’Oro) performing in venues in Europe, USA, Canada or India. He has participated in recordings for labels such as Glossa, Linn Records, Orpheus Musica, Vanitas, Ars Produktions, amongst others.
He is also a graduate from Universidad Complutense de Madrid in Musicology (Bachelor and Masters) with his end of studies projects being: ‘Laments in the early operas of Francesco Cavalli’ (2016) and ‘Decio y Eraclea: critical edition of an anonymous opera of 1708 kept at the National Library of Spain’ (2017).